Annapurna Basu's directorial family drama film Sharthopor, starring Koushik Sen and Koel Mallick in the lead roles, was released in theatres on 21st October 2025.
Sharthopor unfolds the poignant story of two closely bonded siblings — Saurav Basu (Koushik Sen) and his sister Aparna Ghosal (Koel Mallick). Aparna, married to Debarshi (Indrajit Chakrabarty), is the mother of a young daughter, Tukun (Ayusmita Chakraborty). Since childhood, Saurav and Aparna have shared an inseparable bond.
However, cracks begin to appear when Saurav receives an enticing offer to convert a part of their ancestral home into a luxury homestay. Aparna frequently visits the house to relive old memories with her beloved “Dabhai,” but their relationship begins to sour when Saurav urges her to declare in court that she has no claim over the property.
Unable to do so, Aparna is drawn into a painful legal confrontation with her brother. The rest of the story explores who ultimately wins the case — and whether love can survive where property divides.
Sharthopor connects deeply with family audiences, as the issue it highlights is one that resonates with almost every household. The film thoughtfully questions why women in our society still have to ask for the rights and respect they inherently deserve.
Director Annapurna Basu beautifully captures the emotional bond between Saurav and Aparna, paying attention to even the smallest details. The writing and direction shine especially in the climax — when Aparna, after noticing her brother’s worn-out shoes for days, brings him a new pair. It’s a simple yet profoundly moving gesture that’s bound to leave you teary-eyed.
Annapurna Basu ensures that the emotional depth of the drama never feels forced, allowing the sentiment to flow naturally. Both Koushik Sen and Koel Mallick dominate the screen with their remarkable performances, and their on-screen chemistry stands out as one of the film’s strongest aspects.
Ranjit Mallick as GK Laha and Anirban Chakrabarti as lawyer Tarak Halder make valuable contributions to the narrative, particularly standing out during the courtroom sequences. Indrajit Chakraborty, Ananya Sen, and Saoli Chattopadhyay also deliver notable performances in their respective roles.
Sadeep Bhattacharjee’s engaging screenplay ensures the story remains gripping from start to finish. Jeet Gannguli’s music, with lyrics by Prasen and Ritam Sen, beautifully complements the film’s tone, with Bhenge Jay emerging as a clear standout. Anup Singh’s cinematography enhances the film’s emotional appeal, capturing several moments of genuine beauty with finesse.
At a time when a large section of young audiences are drawn to high-octane action and thrillers, Sharthopor arrives as a breath of fresh air — a beautifully written and masterfully executed family drama that rekindles the nostalgic charm of classic Bengali cinema, when stories of relationships and emotions ruled the screen.
Director Annapurna Basu deserves every bit of applause. Having started her filmmaking journey with the 2019 psychological thriller Saat No. Shanatan Sanyal, she now delivers her first big-screen feature, Sharthopor. It’s a debut that stands out, not just for its storytelling but for assembling an ensemble of powerhouse talents from the Bengali cinema landscape.
With its heartfelt storytelling and powerful performances, Sharthopor stands out as a must-watch family drama. Koushik Sen and Koel Mallick deliver stunning portrayals that stay with you long after the film ends, even if the narrative moves at a slightly unhurried pace at times.
Rating: 8/10
Q: Who directed the film Sharthopor and when was it released?
A: Sharthopor is a family drama directed by Annapurna Basu, starring Koushik Sen and Koel Mallick in the lead roles. The film was released in theatres on 21st October 2025.
Q: Overall, how is Sharthopor as a film?
A: With its heartfelt storytelling, emotional realism, and powerhouse performances, Sharthopor stands out as a must-watch family drama. Koushik Sen and Koel Mallick deliver performances that stay with you long after the film ends — even if the pace feels slightly unhurried at times.
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